Mozart: Complete Sonatas for Keyboard & Violin, Vol. 1
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Product description GARY COOPER, FORTEPIANO RACHEL, PODGER, VIOLINE TITEL :COMPLETE SONATAS FOR KEYBOARD and#38; VIOLIN W/CARY COOPER and#38; RACHEL PODGERDISC 11. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER G2. 1. ADAGIO3. 2. ALLEGRO4. 3. THEMA: ANDANTINO CANTABILE5. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER C6. 1. ALLEGRO7. 2. ANDANTE8. 3. MENUET 1 - MENUET 29. 4. ALLEGRO MOLTO10. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER F11. 1. ANDANTINO CANTABILE12. 2. ALLEGRO13. 3. THEMA: ANDANTE14. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER B15. 1. ALLEGRO MODERATO16. 2. ANDANTINO SOSTENUTO E CANTABILE17. 3. RONDEAU: ALLEGRO Amazon.com Rachel Podger\'s bracing traversal of Vivaldi\'s La Stravaganza set of violin concertos are among the finest Baroque recordings, leading to high expectations for more. But here, she and fortepianist Gary Cooper, venture into the more rarified world of Mozart, with considerably less success. They offer four sonatas, to which they apply a roller-coaster interpretive method, swinging from overly slow, sentimentalized Adagios to hyperkinetic fast movements undermined by Podger\'s uningratiating tone, which is highlighted by the excellent, if close-up recording. Missing in action are the Mozartian elegance and grace at the core of these works. The K.6, written when Mozart was about seven, and the late K.547, a teaching piece he wrote for a pupil, are inflated beyond what they can bear. The K. 378 and K.379 pair, which can take emotionally direct interpretations, are overbearing without the necessary elegance. Podger\'s fans will want this anyway, but she\'d do well to listen carefully to Grumiaux\'s Mozart before continuing this sonata series. --Dan Davis
Product description GARY COOPER, FORTEPIANO RACHEL, PODGER, VIOLINE TITEL :COMPLETE SONATAS FOR KEYBOARD and#38; VIOLIN W/CARY COOPER and#38; RACHEL PODGERDISC 11. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER G2. 1. ADAGIO3. 2. ALLEGRO4. 3. THEMA: ANDANTINO CANTABILE5. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER C6. 1. ALLEGRO7. 2. ANDANTE8. 3. MENUET 1 - MENUET 29. 4. ALLEGRO MOLTO10. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER F11. 1. ANDANTINO CANTABILE12. 2. ALLEGRO13. 3. THEMA: ANDANTE14. PODGER, RACHEL - SONATE FUER VIOLINE UND KLAVIER B15. 1. ALLEGRO MODERATO16. 2. ANDANTINO SOSTENUTO E CANTABILE17. 3. RONDEAU: ALLEGRO Amazon.com Rachel Podger\'s bracing traversal of Vivaldi\'s La Stravaganza set of violin concertos are among the finest Baroque recordings, leading to high expectations for more. But here, she and fortepianist Gary Cooper, venture into the more rarified world of Mozart, with considerably less success. They offer four sonatas, to which they apply a roller-coaster interpretive method, swinging from overly slow, sentimentalized Adagios to hyperkinetic fast movements undermined by Podger\'s uningratiating tone, which is highlighted by the excellent, if close-up recording. Missing in action are the Mozartian elegance and grace at the core of these works. The K.6, written when Mozart was about seven, and the late K.547, a teaching piece he wrote for a pupil, are inflated beyond what they can bear. The K. 378 and K.379 pair, which can take emotionally direct interpretations, are overbearing without the necessary elegance. Podger\'s fans will want this anyway, but she\'d do well to listen carefully to Grumiaux\'s Mozart before continuing this sonata series. --Dan Davis
2019-10-14 02:01:35