Desde El Alma, Tango Classics
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Product Description Desde El Alma, Tango Classics by Cem Duruoz Review There are many recordings of Argentine Tango in different settings from symphony orchestras to soloists. This recording, Desde el Alma by Turkish guitarist, Cem Duruoz, proves that the solo classical guitar, in the right hands, can convey the entire feeling of tango to any listener or dancer. His rich tone of execution is superbly captured on this high quality recording, as is the exactness of every note without any sacrifice of the rhythmic pulse. The arrangements are well suited for the guitar and I am reminded of Manuel Barrueco's early recording of Albeniz and Granados where precision and spirit are simultaneously achieved. I know that, as a guitarist and arranger myself, it is not always easy to make a piece sound "written for the guitar" as all this music does. My favourite cut of these 14 tango classics is track 11, Payadora, a milonga by J. Plaza. This piece features a montuna (rhythmic harmonic figure) with a tumboa (clave-born bass figure); both the backbone of Afro-Cuban music such as salsa, cha-cha, and Latin jazz. Duruoz attacks the music with great command and pride, as if he grew up in Argentina and danced all his life. This CD, Desde el Alma (from the soul) is a wonderful testimony to the capabilities of the guitar and to the music of Argentina, and almost sets a new standard for interpretation of popular music for solo guitar. - David Giardina --Connecticut Guitar Society Newsletter, Vol 20, Issue 3
Product Description Desde El Alma, Tango Classics by Cem Duruoz Review There are many recordings of Argentine Tango in different settings from symphony orchestras to soloists. This recording, Desde el Alma by Turkish guitarist, Cem Duruoz, proves that the solo classical guitar, in the right hands, can convey the entire feeling of tango to any listener or dancer. His rich tone of execution is superbly captured on this high quality recording, as is the exactness of every note without any sacrifice of the rhythmic pulse. The arrangements are well suited for the guitar and I am reminded of Manuel Barrueco's early recording of Albeniz and Granados where precision and spirit are simultaneously achieved. I know that, as a guitarist and arranger myself, it is not always easy to make a piece sound "written for the guitar" as all this music does. My favourite cut of these 14 tango classics is track 11, Payadora, a milonga by J. Plaza. This piece features a montuna (rhythmic harmonic figure) with a tumboa (clave-born bass figure); both the backbone of Afro-Cuban music such as salsa, cha-cha, and Latin jazz. Duruoz attacks the music with great command and pride, as if he grew up in Argentina and danced all his life. This CD, Desde el Alma (from the soul) is a wonderful testimony to the capabilities of the guitar and to the music of Argentina, and almost sets a new standard for interpretation of popular music for solo guitar. - David Giardina --Connecticut Guitar Society Newsletter, Vol 20, Issue 3
2019-10-28 18:11:00